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Writing When the Muse is on Strike

April 6, 2013 by Carey Jane Clark

wordful_weekends_smallToday’s post also appears as a guest post at KY Bunnies Blog:

Many people have a romantic idea about writing–and some writers perpetuate the notion–that writers sit around waiting for the inspiration of a Muse. The process seems rather mystical, and no one can quite be prepared for when the Muse will strike. If she doesn’t feel like visiting, the writer is stuck in that ugly place called Writer’s Block.

While I won’t deny flashes of inspiration or moments when writing seems easier than others, I feel duty-bound to smash the myth of the Muse. Or at least to declare that writing–good writing–can happen with or without her beneficence.

I began sketching out plot and researching After the Snow Falls about a year after my second child was born. I wrote during my “writing mornings,” while my husband took care of our two toddlers so I could have uninterrupted time to focus on my passion. Read more

 

Pantser or Plotter?

March 17, 2013 by Carey Jane Clark

wordful_weekends_smallIn case you’re not familiar with these terms, a “pantser” is one who has no plot, but plunges in and writes–flying by the seat of his or her pants. A plotter is one who methodically plans each scene ahead of time. In truth, I think that most writers fall somewhere in between these two extremes.

I would love to claim to be one of those people who just sits down and writes with no heed to where things are going, but the truth is, I have to have a plan. I have to know what the outcome is going to be, and how I am going to get myself there.

Since the time I have to write is scratched out of an otherwise busy life, when I do sit down to write, it’s usually with a lot of forethought and consideration. I use those other moments–sorting laundry, washing dishes and walking to the market–to give my thoughts to what fictional problem I’m going to work out when I do have the time to sit down and actually write. Having some kind of a plot outline gives me food for thought for those moments of contemplation.

And now I have a new tool to help me in plotting: Scrivener. Some time last year, after a friend gave me his used MacBook Pro, I installed Scrivener and have not looked back. Of its many amazing features, I love the ability to make detailed notes on characters, setting and plot, all without sullying the beautiful blank pages of the novel itself.

In my work in progress (working title, What the Girl Knew), there are three viewpoint characters. For each one, I can make a random list of scenes on virtual index cards that can be shuffled around to rearrange the scenes in the novel. And I can color-code each index card according to its POV (point of view) character.

Here’s a screenshot of my work in progress:

Scrivener for plotting

I have blurred out the area to the left to avoid any spoilers. All the scenes tagged in red belong to my protagonist. The blue and orange scenes are for other POV characters. The scenes are wildly out of order–just as I thought of them. But enough of them are there that I am almost ready to begin the actual work of writing.

I just need to do a little more work on character first. But for that, Scrivener is equally amazing. Here is a look at the character page for the main character from my middle-grade novel, now in the revision stage:

Scrivener for character development

This character is really well-fleshed out. I have a definite handle on him. But I’m lacking a little of this yet when it comes to What the Girl Knew. A little more time hammering out the details on those characters and when I sit down to write, they will drive the story forward. With the gentle guidance of the plot details I’ve already established, I should end up in the right place.

How about you? Are you a plotter or a pantser? If you’re not a writer, which kind do you think you would be?

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Advice to New Writers

March 10, 2013 by Carey Jane Clark

wordful_weekends_smallSomeone asked me to critique their work recently. Reading it, I was reminded of just how little I knew about the craft of writing when I set out to make it a serious pursuit.

The conventional advice is that if you want to learn to write, write. While that’s very good advice, I consider that akin to telling someone, if you want to get to New York City, drive. You still need a direction, possibly a map or a GPS. Just driving isn’t going to get you where you want to go.

And just writing won’t make you a writer–at least not a publishable one.

Writing and reading the works of others are excellent training grounds for learning to write, but if you’re really serious about writing publishable fiction, you’ll need to make a study of the craft of writing. In my opinion, there are no shortcuts here.

I began to seriously study the craft of writing soon after my son was born. Instead of napping like a sensible new mom, I stole quiet moments to study and write. I signed up for a course from Writer’s Online Workshops, from Writer’s Digest. While that’s not a necessary step–there are tons of writing books out there and self-study is always an option–for me it worked wonders. The course forced me to work through the creative exercises contained in the textbook–something I know I wouldn’t have done all on my own. Plus, it immediately gave me feedback from other students in the course and the instructor, something I think is really important when first trying one’s hand at fiction. It’s the best cure for self-doubt. After that course, I began to call myself a writer, and I began to carry a real hope of one day being published.

But if you can’t afford the price tag on a fancy course, it’s still possible to give yourself that kind of accountability. Find a writing partner–someone who will commit to producing a certain word count per day, or finishing a number of writing exercises with you. And then critique each other’s work. But do so based on principles you are learning about how to write well.

Where can you find those? Why books, of course. Books on the craft of writing abound. So let me tell you about a few of my absolute favorites:

  1. Word Painting: A Guide to Writing More Descriptively – It would be hard, in my estimation, to say enough good things about this book. It was the one on which I cut my writing teeth. The book itself is beautifully written, and the writer points to numerous mentor texts as models of the writing principles she suggests incorporating into one’s writing.
  2. On Writing by Stephen King – As books on the craft of writing go, you won’t find more of a classic than this one. Even if you haven’t liked a thing the man has written, you’ll enjoy this read. There is so much practical advice. And you can’t shake a stick at a man who can pump out 2,000 words per day consistently!
  3. How to Read Literature Like a Professor – If you want to stick to the course that reading is the best way to learn the craft, use this book as your guide. It shows what makes fiction tick.

And once you have your map in hand, or your GPS, write, write, write. Some say you need to write 100,000 words before you can call yourself a writer. I don’t know if that’s a hard-and-fast rule, but it is true that you can’t call yourself a writer unless you write, so get busy!

Wordful Weekend

February 23, 2013 by Carey Jane Clark

wordful_weekends_blue_smallBack in November, I began a middle-grade novel (a middle grade novel is one aimed at the “tweens” age group) with the working title Truth and the Tepawani: An Adventure in the Amazon for NaNoWriMo. I decided last-minute to take the plunge and try to write for National Novel Writing Month, and didn’t really think I’d get as far as I did. The goal of NaNoWriMo is to write an entire novel in a month. The minimum word goal is 50,000 words. But this word goal is actually on the high end for a middle-grade novel, which is more at home at around 30,000 to 40,000 words (unless you’re writing fantasy).

In these posts, I hope to bring you inside my writing process and share a little of what I’ve learned of the art of writing fiction in the 10 or so years since in the midst of diapers, first teeth, nap times, and interrupted nights, I began making it a serious pursuit.

I finished NaNoWriMo 2012 at 32,905 words. I was immensely satisfied with that accomplishment–and exhausted. I decided to rest a while, and then Christmas came, and then the preparation for Chinese New Year, and–you see where this is going, right?

But last week, I picked things up again and even had a breakthrough, and I’m very close to calling the first draft of this book done. And then it will be time to revise, revise, revise.

And to start the next one. This time, another book for an adult audience.

But what’s the current book about? It’s the story of a 12-year-old boy who spends his summer vacation with his missionary cousins in the Amazon basin and makes an astonishing discovery certain to turn modern science on its head–if the evidence hadn’t mysteriously vanished.

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